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ZUCCHI, Jacopo
Italian Painter, ca.1540-1596. Jacopo Zucchi was an Italian painter of the Florentine school. Italian painter and draughtsman. He was trained in the studio of Vasari, whom he assisted in the decoration of the Palazzo Vecchio, Florence, as early as 1557. He accompanied Vasari to Pisa in 1561, from when dates his earliest known drawing, Aesculapius (London, BM). Between 1563 and 1565 he was again in Florence and is documented working with Vasari, Joannes Stradanus and Giovan Battista Naldini on the ceiling of the Sala Grande (Salone dei Cinquecento) in the Palazzo Vecchio; a drawing of an Allegory of Pistoia (Florence, Uffizi) is related to the ceiling allegories of Tuscan cities. In 1564 Zucchi entered the Accademia del Disegno and contributed to the decorations erected for the funeral of Michelangelo. He travelled to Rome with Vasari and was his chief assistant on decorations in the Vatican in 1567 and 1572, Related Paintings of ZUCCHI, Jacopo :. | Garden of the Villa Medici | Assembly of the Gods | The Toilet of Bathsheba qwr | The Golden Age | Recreation by our Gallery | Related Artists: Maria Vospainted Stilleven met kan van steengoed in 1878 Vasiliy PolenovVasily Dmitrievich Polenov (Russian: 1 June 1844 - 18 July 1927) was a Russian landscape painter associated with the Peredvizhniki movement of realist artists.
BiographyA native of St.Petersburg, Polenov studied under Pavel Chistyakov and in the Imperial Academy of Arts from 1863 to 1871. He was classmate and close friend to Rafail Levitsky, fellow Peredvizhniki artist and famous photographer. Their letters which remain today in Polenov's house museum are an interesting account of the many art exhibitions, movements and artists of their day. Benedito Calixto(14 October 1853 -- 31 May 1927) was a Brazilian painter. His works usually depicted figures from Brazil and Brazilian culture, including a famous portrait of the bandeirante Domingos Jorge Velho in 1923, and scenes from the coastline of São Paulo. Unlike many artists of the time, Calixto's patron was an individual other than the state, who were "the most dependable source of patronage."
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All the Albert Bierstadt's Oil Paintings
Supported by oil paintings and picture frames
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